The fantastic Ainslie Henderson delivers another wonderful and evocative film using his stop motion talents, sewing together and emotional narrative using one simple material – string.
“My connection with James is a long and evolving one. The first time I heard their music was sitting at a friend’s house, aged 18, stoned and confused. ‘Sometimes’ was playing, I remember feeling something that until then I didn’t know pop music could make you feel. I thought crying was only for when you feel loss or sadness. Pop music, but woven with something sincere and yearning, passionate and beautiful. It was 1997, Britpop was happening and I’d just started my first band. I was falling in love with music and trying to figure out who I was and what I wanted my life to be. I was emboldened by the Gallagher swagger, excited and inspired by Blur and Pulp, but James’s music spoke to me like no other band of that era. James didn’t seem to really belong to that era, they orbited it, danced around it, but they were their own branch, growing off in their own direction. It’s telling for me that as Britpop died away and my love for those bands faded into nostalgia, I remain as curious for the next James record as I ever was.”